Local culture focus can:— make abundant and diverse creative arts with less energy and lower marketing, travel, and similar costs than national/global entertainment and media— establish a field of growing cultural economic activity that is not prone to disruption by automation, corporate consolidation, or AI— build more culture at “fractal scale” in similarly-unique local scenes vs. less culture via monolithic and pyramidic global-scale industry.
Local-Culture Power (3)
By adopting local culture as the natural environment for creativity, we can— lessen the child-prodigy requirement for fine arts that can make a 17-year-old believe it’s “too late”— dismantle the teen-sensation (or its just-post-teen equivalent) fetish of pop arts and the corollary expiration dates for relevant work (in music, acting, etc.) – generally dispense with ageism in creative work, celebrating creative trajectories that can begin or resume at any age.
Local-Culture Power (2)
By fostering local creative culture, we can: — enable individual creative journeys to unfold without the alienation created by global cultural juggernauts — provide fertile fields for fresh artistic movements to emerge among personally connected creators and supporters — deconstruct social barricades between establishment/outsider culture, credentialed/folk artists, and other mechanisms of exclusion and de-legitimization.
Local-Culture Power (1)
By focusing artistic creative work on cultivation of local culture, we can: — work within a horizon of time and community, engaging directly with meaningful development and expression — establish cultural economies that are tangible, intentional, and adaptive — dispense with artificial tension between tradition and innovation, which is created by globally-oriented academic and commercial novelty concerns